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Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense.
And recycled villain Bekker is no Hannibal Lecter.Īre we not men? We are-well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).Ī zombie apocalypse is one thing. Solid cop-action with well-drawn minor characters, but lacking the high cleverness or suspense of some earlier Preys. The two cases close out in predictable but tense climaxes fraught with poetic justice. As Davenport closes in, he also finds himself looking hard at friends old and new as possible vigilantes: Lily, her cop-lover, another top cop, and Davenport's own new bedmate, a feisty "cowgirl" cop named Barb Fell. Meanwhile, Bekker pops pills and reaps victims under Davenport's nose until a major twist reveals why the killer remains invisible.
Will Davenport help snare Bekker and at the same time secretly sniff out the bad cops? Davenport's exploration of Gotham's mean streets dramatically points up the metropolis as an inferno of the damned-dealers, fences, junkies-as seen by a small-city cop but Davenport himself seems less the appealingly brooding, game-playing genius of previous novels than a devious bully with a penchant for extralegal tactics, including intimidation and burglary. Not only is Bekker running amok in N.Y.C., Lily says, but so is a cabal of vigilante cops who've killed perhaps dozens of the Big Apple's most vicious worms. Weeks after Bekker escapes from a Minneapolis courthouse in the novel's fierce kickoff, Davenport is visited by old flame Lily Rothenberg of the NYPD (Rules of Prey).
But it's not just drug-crazed pathologist Michael Bekker-infamous for cutting out his victims' eyelids as he torture-kills them to capture the moment of transition from life to death-that tests Davenport here.
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It's no surprise, then, that this fourth in his bestselling Prey series shows some stretch and strain, bringing cop-hero Lucas Davenport away from Minneapolis to Manhattan to tangle again with the homicidal maniac of Eyes of Prey (1991). Sandford's sixth thriller-including two under his real name of John Camp-since July 1989.
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